Introduction
Indigenous Voices in Film and Video: Transforming Pedagogy and the Politics of Representation
Essays & Lesson Plans
“Indigenous Cinema: Decolonizing the Screen”: On Keeping the Fire Burning
Teaching YINTAH: Centering Indigenous Resistance in an Abolitionist Classroom
Brazilian Indigenous Women’s Film Production as a Tool for Pluralizing Visual Experiences
Teaching Indigenous Asian History Dersu Uzala and The Last Moose of Aoluguya
Genealogies of Film as Social Protest: A Lesson Plan for Exploring Jeff Barnaby’s Blood Quantum in Conversation with Alanis Obomsawin’s Incident at Restigouche and Is the Crown at War with Us?
Special Feature Reviews
Films
Reviewers
End of the Line: The Women of Standing Rock
dir. Shannon Kring, 2021
Mankiller
dir. Valerie Red-Horse Mohl, 2017
Isabel Dulfano
Awake: A Dream from Standing Rock
dir. Josh Fox, James Spione, and Myron Dewey, 2017
We Are Unarmed
dir. Gwendolen Cates, 2022
Liza Piper
Haida Modern: The Art & Activism of Robert Davidson
dir. Charles Wilkinson, 2019
Meddle
dir. Gillian Darling, 2020
Native Art Now!
dir. Viki Anderson, 2017
Kate Morris
Bring Her Home
dir. Leya Hale, 2022
Sisters Rising
dir. Willow O’Feral and Brad Heck, 2020
Amber Dean
Indigenous Plant Diva
dir. Kamala Todd, 2008
Nowhere Land
dir. Rosie Bonnie Ammaaq, 2015
Stories Are in Our Bones
dir. Janine Windolph, 2019
Jamaica Heolimeleikalani Osorio: This Is the Way We Rise
dir. Ciara Lacy, 2020
Jennifer L. Gauthier